象外之象,景外之景 – Chinese philosophy and culture
xiàng wài zhī xiàng, jǐng wài zhī jǐng 象外之象,景外之景 The Image Beyond an Image, the Scene Beyond a Scene 欣赏诗歌的过程中所产生的文本形象之外的第二艺术形象,是读者经联想产生的精神意象。前一个“象”“景”指诗歌作品中直接描写的物象和景象,后一个“象”“景”则是指由此引发读者多方面联想所营造出的新的意象和意境。由道家与《周易》关于“言”(语言)、“意”(思想或意义)、“象”(象征某种深意的具体形象)三者关系的学说发展而来。魏晋至唐代的诗学倡导“象外之象,景外之景”,旨在追求文本之外的精神蕴涵和意象之美。这一术语同时也表现了中华民族的艺术趣味与审美境界。 Readers of poetry create images and scenes in their minds based on what they are reading. These are the readers’ imaginations based on what is depicted in the poems. The term comes from Daoist theories […]
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